A Salute to the Golden Age of American Popular Music

We salute the music from Broadway, Hollywood, New Orleans, Tin Pan Alley and the "melody makers;" i.e. the bands and singers that brought the music to us via the radio, recordings and live events in the period from the 1920's to the 1960's. This is the golden period of Gershwin, Cole Porter, Irving Berlin, Jerome Kern, Richard Rodgers, Larry Hart, Oscar Hammerstein, Johnny Mercer, Hoagy Carmichael, Jimmy Van Heusen, Harold Arlen, Harry Warren, etc.

Friday, June 10, 2011

LAWRENCE WELK'S BIG BAND SPLASH tv special on PBS

LAWRENCE WELK'S BIG BAND SPLASH, hosted by bandleader and trumpeter Doc Severinsen, is a celebration of the Big Band Era's classic hits, performed by the great Welk Band and the talented Musical Family on the popular “Lawrence Welk Show.” Broadcast on network television from 1955 to 1982, the Welk Show has been a popular weekly series on many public television stations since 1987.

Included in this special is Doc's guest appearance on “The Lawrence Welk Show” in 1972, playing the Oscar-winning song, “Love Story.” And the Welk Band salutes Doc — the conductor of “The Tonight Show” Band for Johnny Carson from 1967 to 1972 — with a performance of his signature song, “Johnny’s Theme.”
This brand-new PBS special, the 17th Lawrence Welk special to be produced for public television, pays tribute to 25 legendary bandleaders including Glenn Miller, Tommy and Jimmy Dorsey, Benny Goodman, Les Brown, Count Basie, Ben Bernie, Artie Shaw, Clyde McCoy, Pete Fountain, Harry James, Bob Crosby, Sammy Kaye, Ted Lewis, Duke Ellington, Paul Whiteman, Ray Anthony, Doc Severinsen and many others.  
The complete song list:
  • “In the Mood”
  • “Let's Dance”
  • “One O'Clock Jump”
  • “Sentimental Journey”
  • “I'm Getting Sentimental Over You”
  • “Contrasts”
  • “Sweet Georgia Brown”
  • “St. Louis Blues”
  • “Celery Stalks at Midnight”
  • “South Rampart Street Parade”
  • “Sugar Blues”
  • “You Made Me Love You”
  • “Big Noise From Winnetka”
  • “Woodchopper's Ball”
  • “Little Brown Jug”
  • “When My Baby Smiles at Me”
  • “Ring Them Bells”
  • “Boo Hoo”
  • “The Dipsy Doodle”
  • “Boogie Woogie”
  • “Love Story”  (featuring Doc Severinsen)
  • “Panama”
  • “Rhapsody in Blue”
  • “Take the A Train””
  • “Begin the Beguine”
  • “Song of India”
  • “Johnny's Theme”
  • “American Patrol”
  • “Toot, Toot, Tootsie”
Band soloists include Henry Cuesta, Bob Havens, Pete Fountain, Jo Ann Castle, Johnny Zell, Kenny Trimble, Jack Imel, Bob Ralston and Johnny Klein. Many of the Big Band numbers include the entire Welk Show cast. Vocal solos include Alice Lon, Mary Lou Metzger, Tanya Welk Roberts, Guy Hovis and Ralna English. Dance numbers feature Bobby Burgess, Cissy King, Elaine Balden, Jack Imel, Arthur Duncan and others. 
Doc's host segments were recorded at the Cicada Restaurant in Los Angeles, California, a beautiful Art Deco room, with its original décor of dark wood cabinetry and, appropriately, a large crystal chandelier.
PBS special programming invites viewers to experience the worlds of science, history, nature and public affairs; hear diverse viewpoints; and take front-row seats to world-class drama and performances. Viewer contributions are an important source of funding, making PBS programs possible. PBS and public television stations offer all Americans from every walk of life the opportunity to explore new ideas and new worlds through television and online content. To donate to your local PBS station, visit http://www.pbs.org/support.

Thursday, June 9, 2011

Diana Krall Solo Concert disappointing

First, let me say that I've been a very enthusiastic fan of Diana Krall since the first time I saw the "Live in Paris" DVD. I've purchased all her CD's, watched her television appearances, and drove 350 miles to see her perform live at the Flynn Theater in Burlington, Vermont.

Sunday (June 5, 2011) I drove only 40 miles to the world class New Jersey Performing Arts Center in Newark, New Jersey to see Diana in her new Solo Concert. Normally she works with a jazz trio, but at the Victoria theater it was simply Diana at the piano, plus an antique horn phonograph. The concert was originally scheduled for 7pm, but on arrival the audience was informed of a thirty minute delay to 7:30pm. Diana actually appeared on stage about 15 minutes later remarking that she had a 'zipper' issue.

From our vantage point in the second row right, Diana appeared either tired or bored. She did indicate that she was short of breath after opening with Peel Me A Grape and Did You Ever See A Dream Walking, remarking that she may need to get back to the treadmill. Consequently, Diana was not in the best voice for the rest of the 90 minute program.
The real disappointment was in the program selection. Very light on classics from the time tested Great American Songbook (It's Just A Garden In The Rain, I'm Gonna Sit Right Down And Write Myself A Letter, What'll I Do, and the Crosby novelty Don't Fence Me In)  and very heavy on a group of obscure tunes 'she found in her Dad's collection of 78's'...there is a reason why these songs never became classics...they are simply pleasant at best.


She did do a nice feature on Fats Waller including Your Feets Too Big. Diana also included a composition "Home" that she had composed with her husband Elvis Costello, it was also just pleasant. To close the program she moved to a stool and appeared very ill at ease strumming a ukulele that she clearly has not mastered.

The awkwardness of the evening may be that we were actually viewing a dress rehearsal for the Solo Concert she will do over several days at the Montreal Jazz Festival later this month. A call to her publicist for comment or clarification went unanswered.
Back to the point about song selection, we were friends with Rosemary Clooney who had a very successful jazz career during the last half of her marvelous career. Rosie said that the best advice she had ever received was from Ella Fitzgerald..."sing only the great time tested songs....they make a good singer sound great."   
Tony Bennett, who was in the same theater complex on Sunday night, is quoted as follows; " I sing in Asia and I sing in Europe, and I start singing a Cole Porter song or a Gershwin (George Gershwin) song and the whole audience starts singing it with me. They are America's greatest ambassadors. We have created the greatest popular music that has ever been written and will not be topped because it's not dated. It doesn't sound old fashioned, it's not old. The corporations will say, 'That's old music'. It's not old music, it's great music and it comes out of the United States." 


Glenn Miller SwingFest in hometown set for June 23-26

Join us in Fort Morgan, Colorado, the boyhood home of Glenn Miller for four days of music, sights and history from the big band era. The Viaero Glenn Miller SwingFest will be held June 23-26, 2011 and features the big band sounds of the Jimmy Dorsey Orchestra and the Pied Pipers. Cathy Shull, event coordinator is excited to be on board: “I was part of the original team that developed this event 15 years ago and I am so excited to be back on board. With the support of Viaero and other sponsors and the dedication of the School for the Performing Arts (SPA) we will be able to continue to grow this event to be a premiere event in Colorado.”

Throughout the four day event there will be something of interest to all ages and many of
the events are at no charge. Starting Thursday, June 23rd we will be kicking off the City of
Fort Morgan’s Summer Concert series with the sounds of Platte Valley Community Band
and performers from SPA based in Fort Morgan. Friday continues with the first dance of the weekend to the tunes of Company B and a fun dance competition for the Golden Trombone award.

Saturday the 25th is a full day of activities starting with a Fly In at the Fort Morgan Airport
with breakfast cooked up by the Lion’s Club. From there head back downtown to the park
and enjoy an afternoon of music on stage, take a bus tour, Fort Morgan Museum and U. S.
Historical Military Museum tours and take in a movie featuring The Glenn Miller Story. Throw
in some WWII Reinactors and refreshments at the Sunrise Optimist booth to make the afternoon complete. On stage will be the Eastern Colorado Trombone Quartet, the Morgan Community College Jazz Band, the Timberline Brass Quintet and students from SPA. The evening culminates with a VIP Cocktail Reception to raise funds for the School for the Performing Arts as part of a challenge grant from Anschutz Foundation and then you can adjourn back to the airport for dancing to the Jimmy Dorsey Orchestra and the Pied Pipers.

Sunday the 26th gives you a chance to get some outdoor exercise with the Little Brown Jug 5K Run/Walk to raise funds for S.A.R.A, Inc. (Sexual Assault Response Advocates) and end the weekend with a Champagne Brunch featuring a presentation by Alan Cass on Glenn Miller.

Fort Morgan, Colorado, is about 80 miles northeast of Denver along Interstate 76. An
agriculture community with scenic vistas, hidden treasures and friendly people, Fort Morgan and the surrounding communities will give you a warm welcome and a step back in time with their historic downtowns.

James Graff, committee chair and co-owner of the School for the Performing Arts, "We are so excited to host this event and continue to bring people to our area to enjoy the sights and sounds of the big band era." Further, James, said "I am excited that all proceeds from this event go to help kids. From the main focus of scholarships to the School for the Performing Arts to our partnerships with Lion’s, Optimist and S.A.R.A., Inc. you too can be a part of the fun while also supporting worthy causes."

Plans are already in the works for the 4th weekend in June, 2012, where our featured band will be The Glenn Miller Orchestra.

For more information and ticket purchases you can check out the website at

www.glennmillerswingfest.com or e mail glennmillerswingfest@gmail.com or call 970-768-
6106. Then follow us on Facebook @GlennMillerSwingFest or Twitter @GlennMillerSF to
keep up with the latest news.

Tuesday, June 7, 2011

Review: Diana Krall Solo Concert disappointing



First, let me say that I've been a very enthusiastic fan of Diana Krall since the first time I saw the "Live in Paris" DVD. I've purchased all her CD's, watched her television appearances, and drove 350 miles to see her perform live at the Flynn Theater in Burlington, Vermont. 


Sunday, I drove only 40 miles to the world class New Jersey Performing Arts Center in Newark, New Jersey to see Diana in her new Solo Concert. Normally she works with a jazz trio, but at the Victoria theater it was simply Diana at the piano, plus an antique horn phonograph. The concert was originally scheduled for 7pm, but on arrival the audience was informed of a thirty minute delay to 7:30pm. Diana actually appeared on stage about 15 minutes later remarking that she had a 'zipper' issue.

From our vantage point in the second row right, Diana appeared either tired or bored. She did indicate that she was short of breath after opening with Peel Me A Grape and Did You Ever See A Dream Walking, remarking that she may need to get back to the treadmill. Consequently, Diana was not in the best voice for the rest of the 90 minute program.


The real disappointment was in the program selection. Very light on classics from the time tested Great American Songbook (It's Just A Garden In The Rain, I'm Gonna Sit Right Down And Write Myself A Letter, What'll I Do, and the Crosby novelty Don't Fence Me In)  and very heavy on a group of obscure tunes 'she found in her Dad's collection of 78's'...there is a reason why these songs never became classics...they are simply pleasant at best.

She did do a nice feature on Fats Waller including Your Feets Too Big. Diana also included a composition "Home" that she had composed with her husband Elvis Costello, it was also just pleasant. To close the program she moved to a stool and appeared very ill at ease strumming a ukulele that she clearly has not mastered.

The awkwardness of the evening maybe that we were actually viewing a dress rehearsal for the Solo Concert she will do over several days at the Montreal Jazz Festival later this month. A call to her publicist for comment or clarification went unanswered.

Back to the point about song selection, we were friends with Rosemary Clooney who had a very successful jazz career during the last half of her marvelous career. Rosie said that the best advice she had ever received was from Ella Fitzgerald..."sing only the great time tested songs....they make a good singer sound great."   


Tony Bennett, who was in the same theater complex on Sunday night, is quoted as follows; " I sing in Asia and I sing in Europe, and I start singing a Cole Porter song or a Gershwin (George Gershwin) song and the whole audience starts singing it with me. They are America's greatest ambassadors. We have created the greatest popular music that has ever been written and will not be topped because it's not dated. It doesn't sound old fashioned, it's not old. The corporations will say, 'That's old music'. It's not old music, it's great music and it comes out of the United States."  

Here Diana is singing a standard;


Wednesday, June 1, 2011

The Metropolitan Opera to present Tony Bennett in a special concert

The Metropolitan Opera will present Tony Bennett in a special concert, the legendary singer's first appearance on the Met stage, on Sunday, September 18, 2011 at 7 p.m.
The concert will be the first in a series of events celebrating Bennett's 85th birthday and leading up to the release of the 15-time Grammy winner's upcoming album, Duets II (RPM/Columbia Records), which is scheduled for a September 20th release. Tickets to the concert, which range from $50 to $350, will go on sale at metopera.org or (212) 362-6000 at 12 p.m. on Sunday, June 5th.

The concert will feature pop standards from the Great American Songbook, many of which Bennett has introduced and recorded to critical and popular acclaim that led to a string of greatest hits over his 60-year career. The quartet performing with Bennett is composed of pianist Lee Musiker, guitarist Gray Sargent, drummer Harold Jones, and bassist Marshall Wood.

"I've been practicing my whole life to perform on the stage of the Metropolitan Opera House," Bennett said. "It's a dream come true."

The Met has previously presented a variety of popular artists in concert, including Barbara Cook (2006), Kristin Chenoweth (2007), Sting (2010), and Andrea Bocelli (2011).

Bennett's Duets II CD, one of the most highly anticipated releases of this year, will be available on September 20th. It is a follow up to his multi-Grammy Award winning Duets: An American Classic and will be available at a variety of retailers, including the Met Opera Shop. Please visit www.tonybennett.com for more information.


About Tony Bennett

The son of a grocer and Italian-born immigrant, Anthony Dominick Benedetto was born on August 3, 1926, in the Astoria section of Queens, New York. He attended the High School of Industrial Arts in Manhattan, where he nurtured his dual passions, singing and painting. His boyhood idols included Bing Crosby and Nat King Cole, both big influences on Bennett's easy, natural singing style. Bennett sang while waiting tables as a teenager then performed with military bands throughout his overseas Army duty during World War II. After the war, the GI Bill enabled him to study vocal technique at the American Theatre Wing School. The first time he sang in a nightclub was 1946 when he sat in with trombonist Tyree Glenn at the Shangri-La in Astoria.

Bennett's big break came in 1949 when comedian Bob Hope noticed him working with Pearl Bailey in Greenwich Village. As he recalls, "Bob Hope came down to check out my act. He liked my singing so much that after the show he came back to see me in my dressing room and said, 'Come on kid, you're going to come to the Paramount and sing with me.' But first he told me he didn't care for my stage name (Joe Bari) and asked me what my real name was. I told him, 'My name is Anthony Dominick Benedetto,' and he said, 'We'll call you Tony Bennett.' And that's how it happened. A new Americanized name, the start of a wonderful career and a glorious adventure that has continued for sixty years."

With worldwide record sales in the millions, and dozens of platinum and gold albums to his credit, Bennett has received fifteen Grammy Awards including the prestigious Grammy Lifetime Achievement Award. The MTV generation first took Tony Bennett to heart during his appearance with the Red Hot Chili Peppers on the 1993 MTV Video Awards. He appeared on MTV Unplugged and the resulting recording of the same name garnered him the top Grammy Award for Album of the Year. "Tony Bennett has not just bridged the generation gap," observed The New York Times, "he has demolished it. He has solidly connected with a younger crowd weaned on rock. And there have been no compromises." Bennett credits his eldest son and manager, Danny, for his success in capturing a whole new generation of listeners. His most recent CD release was the holiday recording Tony Bennett: A Swingin' Christmas Featuring the Count Basie Orchestra, which has become a yearly seasonal favorite. In 2009 he re-signed to Columbia Records, continuing his status as the artist signed for the greatest period of time in the label's history.

His initial fame came via a string of Columbia singles in the early 1950s, including such chart-toppers as "Because of You," "Rags To Riches" and a cover of Hank Williams' "Cold, Cold Heart." He has placed two-dozen songs in the Top 40, including "I Wanna Be Around," "The Good Life," "Who Can I Turn To (When Nobody Needs Me)" and his signature hit, "I Left My Heart In San Francisco," which earned him two Grammy Awards. Bennett is one of a handful of artists to have new albums chart in the 1950s, '60s, '70s, '80s, '90s, and into the new millennium. He introduced a multitude of songs into the Great American Songbook that have since become pop music standards. He has toured the world to sold out audiences, winning rave reviews whenever he performs. Bennett re-signed with Columbia Records in 1986 and released the critically acclaimed The Art Of Excellence. Since his show-stopping performance of "When Do the Bells Ring for Me," from his Astoria album, at the 1991 Grammy Awards, he has been awarded Grammys for Steppin' Out, Perfectly Frank, MTV Unplugged, Playin' with My Friends, The Art of Romance and Duets: An American Classic. In celebration of his unparalleled contributions to popular music, Columbia/Legacy assembled Forty Years: The Artistry Of Tony Bennett. The four-CD boxed set, released in 1991, chronicled the singer's stellar recording career and documents his growth as an artist inspiring Time magazine to call the collection "... the essence of why CD boxed sets are a blessing." Recently, thanks to Bennett's remarkable career longevity, the set has been updated and expanded, with the title changed from Forty Years to Fifty Years.



He became a Kennedy Center Honoree in 2005, and was named an NEA Jazz Master in January of 2006 and was also named the recipient of Billboard magazine's elite Century Award, in honor of his outstanding contributions to music. A supporter of charitable efforts throughout his career, Tony was honored by the United Nations receiving their Humanitarian Award in 2007 and has raised millions of dollars for the American Cancer Society and Juvenile Diabetes Research Foundation. With his wife Susan, he established Exploring the Arts to support and fund arts education in NYC public schools and founded in 2001 the Frank Sinatra School of the Arts, a NYC public arts high school with a state of the art facility in his hometown of Astoria, Queens.

Along with an extraordinary career in music, Bennett is a prolific and critically acclaimed artist and painter whose work has been seen all over the world, including three paintings that are currently in the Smithsonian Institute in Washington D.C.

Bennett has also authored three books: What My Heart Has Seen, a beautifully bound edition of his paintings published in 1996; The Good Life, his heartfelt autobiography released in 1998; and Tony Bennett In the Studio, a sumptuous salute to his dual career as singer and painter, published in 2007. He has been the subject of both a filmed biography produced by Clint Eastwood and a major television special, Tony Bennett: An American Classic, which aired on NBC in autumn 2006 and won seven Emmy Awards making it the most honored television program at the 2007 Emmy Awards ceremony.



SOURCE  RPM/Columbia Records